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Afghanistan

4/5/2014

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Calligraphy and Drawings by Thomas Ingmire
Poetry by Robert Sheppard
Musical composition by Clifford Burke
Unique Book
The images are a few pages from a visual/verbal book titled Afghanistan.  It is the result of a project that involved a series of back and forth collaborative responses  between myself and the poet, Robert Sheppard, and musician, Clifford Burke. Initially I created  a series of abstract calligraphic drawings which were presented to Robert. He chose one of the images and aligned it with the poem Afghanistan which was from a recently published collection of poems titled Warrant Error. Working with the chosen image and the poem, I developed a number of sheets...some images and some with the text. These were eventually assembled in book form and the poem was introduced, in brief phrases juxtaposed to the images. Clifford Burke, taking inspiration from the final book, created the musical score.  Three of the spreads are shown here. The work was part of a larger project involving eleven poets and three musicians.  The book is now part of the University of Denver,  Penrose Library, Special Collections.
AFGHANISTAN
Like a figure in a dream of perfect falling
Like something from somewhere like hell

You were the dark-eyed girl who crept out 
Before the pink meat dawn to spy
The growling machines while the whole town
Still dreamt of exactly what she saw

Night vision green flecked with sparks
And clouds of vectoral vapour pouring across
Sun-baked gravel where a human head severe
And severed scarved in crackling plastic 
Resurrected. She dived through coils of barbed wire

She ran her oily fingers along the sealed walls
Of the outsiders as though reading their secret script
Or leaving her own


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Asters of Risk

12/21/2013

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Asters of Risk, 
a collaboration between Thomas Ingmire,
Dorothy Sharrar, and David Annwn
San Francisco,  2013
Unique book
7.75 x 11.25 inches, 26 pages

The name of the book comes from the title of a poem written by David Annwn. The  project at the outset was a long distance collaboration between Dorothy Sharrar and me. Dorothy lives in Portland and my studio is in San Francisco. We have, for a number of years, had a shared interest in language and calligraphy and decided to express this in a joint book making project. I began the Asters book by creating the first two pages which I then mailed to Dorothy. She responded with a third page drawing and returned the pages. I followed with the next page drawing and we continued on the path or chain of alternative responses. Dorothy created initial pages for a second book which followed the same process.

After about a year our mutual back and forth collaboration ended and we each keep one of the books. I looked at my book from time to time, wrestling with the feeling that the work was somehow incomplete. It occurred to me one day to contact David Annwn, a poet with whom I have often worked, to see if he would be willing to use the images as inspiration for a poem. He responded by writing the poem Asters of Risk. With his response he wrote, "As I looked at and lived with Dorothy's and your work the idea of flashes of creativity 'coming through from other levels began to form. My poem takes up with the idea of discontinuities or gaps. Asters are both stars and flowers." 

After receiving David's poem (which David had written in his own hand) I worked back into the original book and introduced drawing into David's poetry pages.


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Out of the Air

11/17/2013

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Out of The Air 
Poetry by David Annwn 
Calligraphy by Thomas Ingmire
San Francisco, 2012 
Unique book
11.5 x 15.75 inches, 36 pages
This book records an experimental research with the British poet David Annwn. “Reactive, correlative or reciprocal successive ekphrasis” is the term that he proposes as a description of the work. It is a process by which a writer creates one text in relation to an image, the visual artist then creates a new image in relation to that text, and the writer then makes another text in relation to the second image, and so on, in a chain or path of responses. 

The sequence in this book was initiated by a non-verbal calligraphic image (page 2 in the book) by Ingmire. Annwn made a spontaneous poetic response that has been written by Ingmire on the facing page 1. The back and forth process yielded seven poems by Annwn that are coupled with Ingmire’s calligraphic responses. The book also includes a number of alternative images and sketches. Additional information about collaborations between Ingmire and Annwn can be found at :
http://lyndondavies.co.uk/w/1768/david-annwn-flying-through-poetry-collaborations-with/

At the completion of the project, John Cowey, a musician/composer friend of David's was inspired to create this composition.
Out of the Air is available at Vamp and Tramp Booksellers
vamp and tramp

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    Thomas Ingmire

    I I like the words of the poet, Juan Ramon Jimenez, "if they give you lined paper, turn it sideways." For calligraphy to become relevant in the modern world, it seems to me that it must embrace the ideas behind these words. The works in this section of the website will represent my endeavors to explore new boundaries. 

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